Book Reviews

Well Met Review

image2Title: Well Met
Author: Jen DeLuca
Genre: romance; contemporary; fiction; women’s fiction; chick lit *according to Goodreads* <– what does that even mean??
Synopsis: (from Goodreads) All’s faire in love and war for two sworn enemies who indulge in a harmless flirtation in a laugh-out-loud rom-com from debut author, Jen DeLuca.

Emily knew there would be strings attached when she relocated to the small town of Willow Creek, Maryland, for the summer to help her sister recover from an accident, but who could anticipate getting roped into volunteering for the local Renaissance Faire alongside her teenaged niece? Or that the irritating and inscrutable schoolteacher in charge of the volunteers would be so annoying that she finds it impossible to stop thinking about him?

The faire is Simon’s family legacy and from the start he makes clear he doesn’t have time for Emily’s lighthearted approach to life, her oddball Shakespeare conspiracy theories, or her endless suggestions for new acts to shake things up. Yet on the faire grounds he becomes a different person, flirting freely with Emily when she’s in her revealing wench’s costume. But is this attraction real, or just part of the characters they’re portraying?

This summer was only ever supposed to be a pit stop on the way to somewhere else for Emily, but soon she can’t seem to shake the fantasy of establishing something more with Simon, or a permanent home of her own in Willow Creek.

Review: 4 stars.  Well met, indeed! This book was as advertised. Jen DeLuca delivered a laugh out loud, fantastic romance with sweet little moments between sisters and friends throughout. A Boston girl lost, is found in a small town through the Faire of all things.

After the first line, I started tweeting about it — I tweeted through chapter 5, a preview of sorts — you can view those HERE — just because I kept laughing about things and wanted to document my experience as I was reading.

I didn’t just lol, like one does in a text. I actually laughed out loud at parts of this book. I found so much of it not only witty, but also hilarious. Like, there’s the wit between English teacher Simon and Emily, and the banter between them and their Faire personas is great. But then there’s the hilarity of Mitch and his Faire persona, Marcus. He’s just all muscle and heart.

The juxtaposition of Simon and Mitch is good, and well written. It’s not a love triangle. It’s not the typical anxiety driven, cringeworthy fight over the girl — although. They do actually physically fight over her — male centric triangle. It’s actually so much better.

All the characters lift each other up. They are a real small town. Like, the last small towny books and stories I read were Where the Crawdads Sing, and The Lottery. Not such good small town vibes in either. Like, they don’t always treat people the best in those stories, right? Spoiler for WtCS and TL, but like, people literally die in those small towns. But Willow Creek, like, owns it and wins.

April and Emily is a fun sister dynamic to read. They kind of learn sisterhood as the chapters progress. I’ve not read anything like that before, and I really liked it. I liked Emily’s dynamic with her niece too. Like with April, Emily has to learn how to be an aunt too. It’s fun to see her take on these roles.

When Simon fucks up, as all men in romance novels are wont to do, (trust me, they all do), DeLuca does something really, really good. In fact, I’d say she handles it better than any other romance writer I’ve ever read before. I love when Emily puts her foot down, and April backs her up. The bonds of sisterhood, no matter how new, are still strong.

This is a perfect summer read. I am eager to see what else comes from this author!

Be warned. You WILL go googling renaissance faires after. You will look for your local one, and you will try to get tickets if it’s close enough. Just saying.

Gods of Jade & Shadow Review

image1Title: Gods of Jade and Shadow
Author: Silvia Moreno-Garcia
Genre: fantasy; historical fantasy; mythology; mayan; fairy tale;
Synopsis: (from Goodreads) The Mayan god of death sends a young woman on a harrowing, life-changing journey in this dark, one-of-a-kind fairy tale inspired by Mexican folklore.

The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own.

Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true.

In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld.

Review: 4 Stars. This was a fantastic book. It wasn’t just a fantastic read, it was, like, fantastical. I don’t know enough about Mexican and Central American mythology and wanted to dive into this universe after the first chapter. Sheepishly, my only actual references to anything before this book were movies like The Book of Life and Coco, both of which I thoroughly enjoyed. Because of this, when Book of the Month had this as an option, I jumped at the opportunity, because I’ve always been fascinated with mythology, and boy I’m glad I did.

I love this book though, because I feel like I’m completely drawn in as a third character on Hun-Kamé and Casiopea’s quest. The imagery, the characterization, and the emotion of this book all weaves such a beautiful tapestry. As I was reading, it felt like, at any moment, I could be transported into the 1920’s right with them. Moreno-Garcia’s way with words is astounding.

It took me a full chapter to really get into this book, not gonna lie. I was bored by Cinderella-esque story, but then Moreno-Garcia literally called me out and wrote Casiopea saying she wasn’t some Cinderella type and so I was like, “okay, dang, sorry… guess I’ll give it a shot.” If I’m being honest, it wasn’t until the chest is opened and the quest itself officially began that I truly got invested in the story.

None of the Leyva family is given much backstory, (aside from Martín) except that they treat Casiopea (and her mother) like servants. Even her mother wants her to fall in line and just suck it up, but it all kind of serves a purpose— there’s no guilt when she leaves, and as a reader, I have no second-hand guilt about her leaving anything behind when her quest begins either.  I guess that’s the intention, and because it works, it furthers the plot along.

I really loved moving through Mexico with Casiopea and Hun-Kamé. Getting to see the different states through Casiopea’s eyes was a joy because Moreno-Garcia really captured the “small village girl experiencing the big city” vibe. From the train rides, to the carnivals, it was so exciting to read.

My absolute favorite part of the book was Juan. The charmer. I went on a short twitter rant about him. (You can view it HERE.) I legit laughed out loud when he threatened to crush her every bone. When he promised to drown her and use her bloated body as an instrument. And then when he backed off so quickly and held his hands up, “I thought we were just playing” — seriously. He was my favorite stop on their quest.

Each stop on their quest had a different feel. Someone had secret wisdom for Casiopea, just in case she needed to get out of a bind, Juan brought humor to a tricky situation, an immortal seductress brought temptation and revealed hidden truths, and a sorcerer helped them relay on each other.

The hardest part for me— although beautiful — was when Hun-Kamé explained to Casiopea the reality of what would come should they succeed. “There is no ‘after,’” she whispered (245).

That part hit me straight with an obsidian knife to the heart. Like she’s willing to walk the Black Roads for you bro. And now there is no after. Ouch.

But then later, Moreno-Garcia got me again when Xibalba sees in Hun-Kamé’s soul and “the flowers, linked together, spoke to her. They said, “My love.” (326)  She still has to go back to the Middleworld alone, but at least he’s feeling it, too! I think there’s a speck of dust in my eye.

Overall, this book was beautiful, adventurous, and full of heart. I loved the language, the Mayan myth, and the spirit of the story. It’s made me want to find more stories with the same energy so I can learn more and immerse myself in the culture even further.

It’s a great read that I’d definitely recommend!

Moxie Review

Title: Moxie
Author: Jennifer Mathieu
Genre: contemporary; feminism; ya; realistic fiction
Synopsis: (from Goodreads) Moxie girls fight back!Vivian Carter is fed up. Fed up with her small-town Texas high school that thinks the football team can do no wrong. Fed up with sexist dress codes and hallway harassment. But most of all, Viv Carter is fed up with always following the rules.

Viv’s mom was a punk rock Riot Grrrl in the ’90s, so now Viv takes a page from her mother’s past and creates a feminist zine that she distributes anonymously to her classmates. She’s just blowing off steam, but other girls respond. Pretty soon Viv is forging friendships with other young women across the divides of cliques and popularity rankings, and she realizes that what she has started is nothing short of a girl revolution.

Review: 4 Stars. I read this book on the heels of Samira Ahmed’s Internment. (You can read that review HERE). To say Moxie was a departure from that would be a gross understatement. However, this book was fun and a delight to read. Vivian was a strong and caring and carried the book the whole way through. She was a three dimensional character and really well written by author, Mathieu. She was nerdy and unsure, but strong and caring when she saw others needed her to be so.

Inspired by her mother’s glory days, she creates a zine for her school to empower the girls to fight back against the patriarchal structures in place that hold them back.

What I like is that Mathieu brings up events that are relevant for all girls in all high schools. Dress codes, rape culture, inappropriate groping, lack of administrative support… these are all things girls face in countless high schools.

What’s more, these girls, through their collective coming together because of the zine get actual results. It’s really cool.

The boyfriend character is interesting. He keeps doing this “not all guys” thing and I think I get that he’s trying to learn, and Mathieu is trying to make a point, but his repetitive “I’m not those guys, I’m sensitive, look at me, I get it, you’re cool,” schtick didn’t really sit well with me. I’m wondering if she did this to point out how annoying it is, but the fact that Viv and he stay together in the end makes it all the worse. Like, sure, he’s trying, and sure, he’s quasi-supportive, but like… just because he’s the first guy that ever showed interest in her doesn’t mean she has to stay with him and teach him how to be “not all guys.”

I don’t think it was Vivian’s job to teach him how to be a decent guy. It’s not her job to teach him to shut up and just listen. It’s not her job to realize that girls who say the administration tried to cover up a rape or attempted rape aren’t lying.

/rant
Either way, this book was GOOD. Really good. That boyfriend piece is really just a small part of the plot and the rest of it is really female empowerment centered. The female friendships are strong and the driving force of Vivian’s kickstarting Moxie in the first place. The girls in this high school stand proud and tall together, even when they aren’t sure how to do so, and it’s really remarkable. This book is inspiring. And quick. It was fast paced, fun, well-written, and going in my classroom library.

Moxie girls fight back!

Internment Review

image1Title: Internment
Author: Samira Ahmed
Genre: contemporary; ya; science fiction; dystopian
Synopsis: Rebellions are built on hope.
Set in a horrifying near-future United States, seventeen-year-old Layla Amin and her parents are forced into an internment camp for Muslim American citizens.
With the help of newly made friends also trapped within the internment camp, her boyfriend on the outside, and an unexpected alliance, Layla begins a journey to fight for freedom, leading a revolution against the internment camp’s Director and his guards.
Heart-racing and emotional, Internment challenges readers to fight complicit silence that exists in our society today.

Review: 5 Stars. Internment was exactly as described. Chilling. It was haunting and hard to read, and yet, I couldn’t put it down. I was transfixed by Layla’s horrible reality in our too-close future. Ahmed writes that it’s fifteen minutes into the future of America and it did indeed feel that way.

My heart was in my throat as I turned each page, hoping for a decent ending for the people in Mobius. Not a happy ending, because there could be no happy ending for this book, I knew that for certain.

This book was HARD. I hated every single thing this book made me witness. Every single horror I had to be complicit in, almost. You know? Like… it made me think about what I would do after the 2020 census, if things played out like they did in the book. It makes me wonder if I’m doing enough now. People are literally in cages at the border right now.

Samira Ahmed wrote this book in response to the 2018 refugees being taken from their children (see Author’s Note). Layla and her family were in a liberal town, in a liberal state, and her neighbors, her friends, they just let them get captured and taken and stamped with a permanent barcode, and put in an internment camp.

Where there are unspeakable horrors and atrocities, there is Hope. Layla and the people of Mobius do the unthinkable in the face of the unknown, because the fear helps them focus on the end goal. Her bravery and her endless faith was inspirational.

This is the type of book that makes you think about what side of history you need to be on. It reminded me of The Hate U Give (see my review for that one HERE), of Night by Elie Wiesel.

It was painful and hard, but necessary to read it. It wasn’t my usual book, but I needed to read it, especially right now. Ahmed’s use of timely political rhetoric, unfortunate and unpresidential rhetoric, and current events makes this book a must read in this day and age.

The Author’s Note is something I want to make copies of and read with all of my classes. Often I tell my classes that if we don’t read our history, we are doomed to repeat it. Ahmed writes that we look back to our history to use its rhetoric for instances like this.

As hard, horrifying, and raw as Internment was to read… it was worth it. I would recommend this book to everyone.

The Poet X Review

THE-POET-X-e1542251351500Title: The Poet X
Author: Elizabeth Acevedo
Genre: poetry; ya; contemporary; fiction
Synopsis: (from Goodreads) A young girl in Harlem discovers slam poetry as a way to understand her mother’s religion and her own relationship to the world. Debut novel of renowned slam poet Elizabeth Acevedo.

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.

But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself.

So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out, much less speak her words out loud. But still, she can’t stop thinking about performing her poems.

Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

Review: 5 Stars. Have you ever read a book and literally read every single word? And focus on every single word? Maybe you have, but I haven’t. I read really fast, I mean, fast, and so I go through words like… Pop Rocks. You don’t just eat one Pop Rocks piece at a time, you pour the package into your mouth and get the experience that way. I take in full sentences like that, not word over word, but full sentences at a glance.

It’s really hard to explain. I understand everything I read, with amazing clarity but I’ve never focused in, really looked at the words used in every single sentence in a book until The Poet X.

Of course I’ve analyzed literature and poetry for school work, and I read words out loud of course, but if I think about words on the page, The Poet X, made me think about the economy of words, and the precision with which to use them.

The whole book is poetry, told in narrative, about Xiomara, a Dominican girl growing up in a strict home, trying to find her voice. She uses this book as her journal so readers gain insight to her as she writes her feelings down about her family, religion, growing up, boys, and poetry.

Acevedo has a powerful way of expressing the thoughts and feelings of a girl growing up in a stifling home. Of a girl growing up in a body she has no control over. She’s got so many powerful poems in this book.

My favorite is “Unhide-able” because Xiomara is trying to come to terms with her body in a house that wants her to cover up her body, in a neighbor that wants to catcall her body, in a generation that wants to speak out about her body and the jealousy that comes along with it. She writes:

“I am I unhide-able.

Taller than even my father, with what Mami has always said / was “a little too much body for such a young girl.” / I am the baby fat that settles into D cups and swinging hips / so that the boys who called me a whale in middle school / now ask me to send them pictures of myself in a thong.

The other girls call me conceited. Ho. Thot. Fast. / When your body takes up more room then your voice / you are always the target of well-aimed rumors, / which is why I let my knuckles talk for me. / Which is why I learned to shrug when I name was replaced by insults.

I’ve forced my skin just as thick as I am” (7).

So many women go through this same thing. So many teenagers and women alike just have to take this kind of criticism and this kind of rumor gossip mill stuff and Xio captures it perfectly here in this one poem. Xio learns to shrug the gossip off, like many of us do, but at 16 — what kind of message is she internalizing?

At the climax of the book, Xio writes, “The world is almost peaceful / when you stop trying / to understand it” (223). It’s so powerful, right? Acevedo has such a gift for language. If you’ve never heard any of her actual spoken word, please do yourself a favor and go (HERE) now. She’s so amazing.

The story Acevedo weaves through her poetry is one about self acceptance more than anything but it takes a huge family detonation to come about. That hit home for me. I think it does for a lot of people. It’s so relatable and honest. It’s hard to find out what we’re meant to be when we aren’t allowed to be ourselves, right? I think Acevedo captures that so well in this book.

Do yourselves a favor. Get this book. Binge it. You’ll thank me.

 

** I don’t have any affliation with Barnes and Noble, buy it anywhere you want, just buy it.

These Witches Don’t Burn Review

image1Title: These Witches Don’t Burn [1/?]
Author: Isabel Sterling
Genre: fantasy; ya; paranormal witches; own voices; LGBT
Synopsis: (from Goodreads) Hannah’s a witch, but not the kind you’re thinking of. She’s the real deal, an Elemental with the power to control fire, earth, water, and air. But even though she lives in Salem, Massachusetts, her magic is a secret she has to keep to herself. If she’s ever caught using it in front of a Reg (read: non-witch), she could lose it. For good. So, Hannah spends most of her time avoiding her ex-girlfriend (and fellow Elemental Witch) Veronica, hanging out with her best friend, and working at the Fly by Night Cauldron selling candles and crystals to tourists, goths, and local Wiccans.

But dealing with her ex is the least of Hannah’s concerns when a terrifying blood ritual interrupts the end-of-school-year bonfire. Evidence of dark magic begins to appear all over Salem, and Hannah’s sure it’s the work of a deadly Blood Witch. The issue is, her coven is less than convinced, forcing Hannah to team up with the last person she wants to see: Veronica.

While the pair attempt to smoke out the Blood Witch at a house party, Hannah meets Morgan, a cute new ballerina in town. But trying to date amid a supernatural crisis is easier said than done, and Hannah will have to test the limits of her power if she’s going to save her coven and get the girl, especially when the attacks on Salem’s witches become deadlier by the day.

Review: 5 Stars. When my book group, the Lit Coven, (find them HERE) decided to read this book, I was late to the party. I’d instituted a summer book buying ban and decided against reading anything I didn’t already own, but obviously I folded, (DUH) and bought this. It only took me reading the description before I was clicking BUY and devouring it upon its arrival.

Okay, so let’s start with setting. I’ve only been to Salem three times, but Sterling put me back there pretty much immediately. From the touristy areas where all the witch shops are, to where the more suburban houses are, it was New England through and through. She did a great job at setting the scene and using the historic undercurrent to highlight the very real threat for her main characters in 2019. I loved how this modern day clan of witches lives and breathes the history of what happened in 17th century Salem, and Sterling’s writing made that happen for me.

Another thing I quite enjoyed about this book are the very real and relatable characters in this book. Hannah is a solid main character. She’s, like many of the other MCs I tend to like, not perfect, but learning and growing. She relies on others, seeks truth, doesn’t just accept things as fact, and questions everything the adults tell her to believe. Go Hannah!

She trusts her judgment and believes in her friendship with Gemma, even when she knows it goes against everything she’s ever learned. She trusts her heart and her mind. But she’s a teenager, so she’s also learning how to come to terms with heartbreak, and relationships. She’s also a really strong example of an unapologetic and badass lesbian. I love Sterling’s writing of her character.

At one point, a side character,  Benton thinks he can persuade her to date him, and she’s like, um, “no dude, I’m gay.” The way Sterling injects the social commentary of turning girls straight here was so smooth and so easily done, just a quick conversation. Then it was done and handled, and then both Hannah and Benton move on, as friends.

Morgan is also badass. She’s bi, and so cool. Hannah assumes she’s a lesbian, there’s a clarifying convo in there about assumptions, and then they move on and it’s literally no problem. Another cool move by Sterling. Morgan is confident, calm, and perfect for Hannah— the complete opposite of Hannah’s ex, Veronica.

Veronica is the epitome of unhealthy relationship.

———-Okay, hold up————

Listen. I promise this book is about witches. But Sterling’s writing is SO GOOD we have to talk about how she writes these characters.

Okay, back to Veronica. So unhealthy. Manipulating. Wishy washy. She wants Hannah back, but only so Hannah doesn’t have someone else. Ugh. But so well written. Isabel Sterling. You are so so good at writing characters and character interactions. For real.

The plot itself is kind of like a mystery whodunit but with witches and a teenage love triange thrown in for good measure — if you’re into that sort of thing. As it’s in Salem, and it’s called These Witches Don’t Burn, there are some assumptions you can make, right? Someone wants to burn witches. So people are after Hannah – the witch. Despite, everything though, throughout the whole book, I wasn’t actively trying to figure out who it was that was trying to hunt witches. I’m usually pretty good at guessing who the bad guy is, but this time, it took me a bit to figure it out.

BUT
I REALLY LIKED that. I liked not knowing. I didn’t want to figure it out. I wanted to enjoy the story and the mystery. I was so wrapped up in the characters and the drama of the romance and the family / clan dynamic that I didn’t guess who the witch hunter(s) was/were until the end.

These Witches Don’t Burn was amazing. I am putting it in my classroom with a big huge 5 Stars on it so my kids know it was an amazing read.

 

Circe Review

circe-madeline-millerTitle: Circe
Author: Madeline Miller
Genre: fantasy; historical fiction; retelling; mythology;
Synopsis: (from Goodreads) In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child—not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power—the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.

Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus.

But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love.

Review: 5 STARS

Circe was, to date, my favorite read of 2019. I’d read Madeline Miller’s The Song of Achilles first (you can read my review of that one HERE) and knew going in that I would love the writing, but I didn’t realize quite how much.

With authors’ second books, you find yourself hoping for greatness, and in series, you’re generally hyped and not too severely disappointed, but in standalone books, it’s hard to gauge. Is it going to be as good as X? No? Oh well… But Madeline Miller does not disappoint with Circe.

Yes, this book is in the same universe, and yes, Achilles and Patroclus appear here, but this book can be read before or after The Song of Achilles and it won’t really matter if you know your original myths.

Miller has done her own retelling of the Iliad and the Odyssey from a different viewpoint. The Song of Achilles was the Iliad and Circe is the Odyssey. That’s really what these books are for me. They’re retellings of Homer’s epic poems. But instead of The Best of the Greeks getting the glory (ie: Odysseus in this novel, Achilles in her first) it’s really Circe who becomes “greater.”

Against all odds and literally ALL GODS, she thrives and becomes so powerful that the Olympians and the Titans are afraid of her. I think that is so badass. Like, she’s the first “come at me bro” in history. She doesn’t do this for her own glory like the heroes do either, she does this because she has to stay sane. She’s a goddess, it’s not like she’s going to wither away and die, or starve, but she could definitely go mad, right? But instead, Circe becomes the best of them all, and even Telegonus realizes it before the end of the novel.

I am IN LOVE with Madeline Miller’s writing style and below, I’m going to write out one of my favorite scenes to demonstrate (see: fangirl) a little. You can skip over the italics and what’s in between, and come back after the long ——- if you’d like to avoid anything directly from the book.

“Brides, nymphs were called, but that is not really how the world saw us. We were an endless feast laid out upon a table, beautiful and renewing. And so very bad at getting away.”

Miller’s description of the inescapable reality of Circe’s plight is tragic and so beautifully written. It mirrors what she does as a character to the men on her island, except that as nymphs they suffer endlessly — immortality really is a beast when you’re a prize to be sought after, isn’t it?

Later in the same passage, she talks about pigs escaping and throwing themselves over cliffs. Circe wonders, “if it were a man… would I pity him? But it was not a man.”

Walking by the sty she comments on how they are only sorry to be caught, not sorry for invading her island and her person. Her power and ruthlessness is on full display as she shows them no mercy here. I love the straight up potency Miller fills her with as she says to the pigs, “Sorry you were caught… Sorry that you thought I was weak, but you were wrong.”

In that moment, reading that passage, I had full on goosebumps.

———————————————————-

Overall, I really loved how Circe, as a novel, is able to tell us so much about the Greek world. We meet major heroes and characters from myth like Minos, Daedalus, Jason, and Medea. We learn more about Circe as the witch in myth, and how a witch is certainly different from a goddess, and in her case, more powerful, and more feared.

But in the last 100 or so pages, Miller does something brilliant I think. She answers some of my most pressing questions about Odysseus’s return to Ithaca. She’s filled in the gaps on the Odyssey story. It’s really ingenious because Circe is in exile, on a tiny island, and yet, her narrative completes the story that spans the entire Greek world.

We also get to see a vengeful and spiteful Athena, and while I love grey-eyed goddess, patron of wily Odysseus and benevolent Athena— I even have a ttattoo of her to prove it, this version of her is better. It makes me think (see: hope) that maybe Miller’s gearing up to give us the Medusa story we all deserve?

If you haven’t read either of Madeline Miller’s texts and you’re ready for a more mature take on Greek myth— pick up both of her books now!