[Book Review] The Witch’s Heart

Book Cover for The Witch’s Heart

Title: The Witch’s Heart
Author: Genevieve Gornichec
Genre: fantasy; mythology retelling (Norse); romance; paranormal (witches); LGBT
Synopsis: (from goodreads) When a banished witch falls in love with the legendary trickster Loki, she risks the wrath of the gods in this moving, subversive debut novel that reimagines Norse mythology.

Angrboda’s story begins where most witches’ tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.

Their union produces three unusual children, each with a secret destiny, who Angrboda is keen to raise at the edge of the world, safely hidden from Odin’s all-seeing eye. But as Angrboda slowly recovers her prophetic powers, she learns that her blissful life—and possibly all of existence—is in danger.

With help from the fierce huntress Skadi, with whom she shares a growing bond, Angrboda must choose whether she’ll accept the fate that she’s foreseen for her beloved family…or rise to remake their future. From the most ancient of tales this novel forges a story of love, loss, and hope for the modern age.

Review: 5/5 stars

** spoiler alert **

 The way the author weaves this modern retelling around the saga inspired Norse myth is fantastic. I love the way it starts and then begins again so many times. Ever since watching The Haunting of Hill House, I think of the line Nel says at the end, “Time is like confetti” a LOT. This book brought me back to this idea so often as we learned more and more about Angrboda’s saga.

On her own, Angrboda seems to have this amazing arc of humanity in her own right, she’s the one Odin couldn’t kill, the one who heals, the fierce mother, the independent woman, and the Mother Witch. It takes her a while to figure out who she is, but being on that journey with her is wonderful.

Having read this after growing up with Norse myth and the Marvel Universe, this is a refreshing take. In all versions of her story, she is a fierce mother. I love Angrboda’s relationships with Hel, Fenrir, and Jormundgandr. She may be the “mother of monsters” in myth, but in this story, she is just their mother, and wants nothing more than to fiercely protect. The betrayal and hurt is palpable when her children are taken. The writing is so strong and so vivid, it was excruciating to read.

In more recent Norse retellings, it’s Thor the hero, or Loki, the love ale trickster, or Odin, the benevolent. In this, they are not how they’ve been portrayed in the MCU. Thor is a a menace at best, a villain at worst; Loki has many faces, and the hurt and betrayal he is capable of shocked me. Odin seemed to be the most straightforward.

One of my favorite dynamics was between the women— Skadi, Sigyn, Freyja, Gerd, Angrboda, Hel, the she-wolf. There are so many instances of strong women being at odds with one another, but in the end, coming together anyway. Skadi helps Angrboda even though she doesn’t know her, Gerd teaches Hel nailbinding, Freyja helps Angrboda figure out seid again even though they are absolutely on opposite sides, and Angrboda and Sigyn come together in understanding before Ragnarok.

I appreciated that not everyone got a full blown ending too, just pieces of story as told by someone else. Like Gerd, she wasn’t given a redemption, just a final sentence or two from Skadi to help Angrboda come to a decision about understanding and forgiveness and where she stands. Sigyn too, after Loki’s punishment doesn’t really get any final ending either, just an unspoken second chance after Loki is killed in Ragnarok.

I think my favorite scene in the novel is when the bonds are broken and Angrboda is reunited with her sons. It was so touching and sweet. The notion that the brothers stayed in contact with one another, and that they did not hold anything against their mother — in fact calling her, “Mama” to start, was so comforting.


Overall, I think the cyclical nature of this book is what kept me so intrigued. The language and storytelling was just plain beautiful.

[Book Review] Meant to Be: If the Shoe Fits

Book Cover for IF THE SHOE FITS

Title: Meant to Be: If the Shoe Fits
Author: Julie Murphy
Genre: romance; humor; new adult; contemporary
Synopsis: (from Goodreads) After having just graduated with a degree in shoe design, and trying to get her feet on the ground, Cindy is working for her stepmother, who happens to be the executive producer of America’s favorite reality show, Before Midnight. When a spot on the show needs filling ASAP, Cindy volunteers, hoping it might help jump-start her fashion career, or at least give her something to do while her peers land jobs in the world of high fashion.

Turns out being the only plus size woman on a reality dating competition makes a splash, and soon Cindy becomes a body positivity icon for women everywhere. What she doesn’t expect? That she may just find inspiration-and love-in the process. Ultimately, Cindy learns that if the shoe doesn’t fit, maybe it’s time to design your own.

Review: 5/5 stars

It’s not often that the plus size girl gets a whole ass romance plot (and isn’t just a side character) but this one is good! Cinderella meets the Bachelor meets Devil Wears Prada.

The step family in this Cinderella tale isn’t terrible, the Bachelor isn’t terrible, and neither are all the women in the show. The fashion industry isn’t full of superficial 2D characters that hate on sight. There’s a lot of meaningful depth and love in the relationships and characters in this book. I enjoyed watching each of the characters – the main and the sides – get unraveled. They were all so different in personality and expression.

Lots of really strong storytelling and good messaging in this book with an amazing love story woven in there too. In this book, the plus size girl gets a HEA.

[Book Review] Drama Queen

Book Cover of “Drama Queen” by Jill Westwood

Title: Drama Queen (Nasty Woman #3) read as a standalone
Author: Jill Westwoord
Genre: Contemporary romance; Humor;
Synopsis: (from Goodreads) Catriona McBryde laughs too loudly, has never met a stranger, and enjoys making men blush.

With her unrestrained behavior—which includes rolling in the hay with many of the single men in her town—Cat might not seem like the ideal tour guide for British actress Dame Violet Ramsey, but no one knows Foster’s Creek better than she does.

When Violet’s sexy bodyguard Kiran Madan doubts Cat’s ability to be discrete and trustworthy, she sets to charming the pants off of him, but he proves to be the type of guy she hasn’t encountered recently.

It’s not only her body he desires. Kiran wants Cat’s heart.

* plus-sized heroine
* small town romance
* sisterhood / female friendships
* brooding bodyguard
* Halloween hijinks

Review: 3/5 stars

I enjoyed this book a lot! If you’re looking for a speaks her mind, gets what she wants, plus sized romantic heroine— Catriona is for you. And honestly, who wouldn’t want to live her story here? Her favorite actress comes to her small town and asks her to be her tour guide.

Yes please.

And she comes with a hot body guard?

X 2 yes please.

Kiran Madan is a good opposite lead to Catriona. Where Catriona says everything she’s thinking, Kiran is reserved. A real stuffed shirt at first. Cat is more of a Lorelei Gilmore in Star’s Hollow, witty, funny, and able to keep up with whatever the occasion calls for. Kiran is completely out of his element and worried about everything.

The lead actress character, Violet, is fun. She’s proper British, but also has an unexpected wild streak. Kiran has his hands full and Cat helps keep him company while hilarious antics ensue.

One thing I didn’t really get was the lack of secondary character development. Some relationships just disappeared. Or didn’t get any resolution. Cat has this major animosity for her best friend’s husband that she brings up constantly, but there is no big blow out, no coming together, no nothing. They just don’t solve anything. Both of Cat’s sisters make love connections, but you never hear about either after the plot point passes. So too with her cousin. Once his purpose has passed, we never hear anything more. I’d like more development in this.

The side characters build the main character’s personality for me and make the world more real, and when there’s not any real reasonable resolution or mention for so many characters, it’s a big thing I think about.

Overall, I liked it, and I like seeing plus size girls getting HEAs!

I received an advanced review copy of this book for free, and I am leaving this review voluntarily.

[Book Review] The Singing Hills Cycle Series (2)

Book Covers for The Singing Hills Cycle Series

Titles: The Empress of Salt and Fortune (#1) & When the Tiger Came Down from the Mountain (#2)
Author: Nghi Vo
Genre: fantasy; novella/short stories; LGBTQ; women’s fiction; romance; feminism
Synopsis: (from Goodreads) #1 – A young royal from the far north is sent south for a political marriage. Alone and sometimes reviled, she has only her servants on her side. This evocative debut chronicles her rise to power through the eyes of her handmaiden, at once feminist high fantasy and a thrilling indictment of monarchy. 

#2 – The cleric Chih finds themself and their companions at the mercy of a band of fierce tigers who ache with hunger. To stay alive until the mammoths can save them, Chih must unwind the intricate, layered story of the tiger and her scholar lover—a woman of courage, intelligence, and beauty—and discover how truth can survive becoming history.

Review: 5 Stars

I truly enjoyed these two books. I’m unsure if there will be more, but so far there are only two. Both were wonderful. They were well-crafted, intricate stories about women, about families, about life, and about love. Both of the Singing Hills Cycle books featured Chih, a cleric who wants to record history as it was. On their journey, Chih finds that what they think they know isn’t exactly real, but a version that has been warped by others. They aim to correct it and write the narratives of those they run into.

In The Empress of Salt and Fortune, Chih is told this beautiful, tragic, and powerful tale about the exiled empress who is cunning, wild, and lovely through the eyes of a former maid, who is also cunning and wild. Chih learns from her that history isn’t always what was written from Rabbit, the maid. As the story continues, there are moments of the supernatural blended in so beautifully with the realistic. Animals, humans, spirits — it’s all so perfectly woven together so that Chih can write the the true history of empress of salt and fortune.

In book 2, Chih is hoping to get to their destination on the back of a mammoth, but ends up getting caught up in a storm and detained by tigers threatening to eat them. It’s here that they learn again that the history they have written back at the temple isn’t quite the truth. This time, the tigers tell Chih the truth, a beautiful love story where once there was just a history of violence and gore that painted the tigers like vicious monsters.

Again, Vo creates these beautiful characters, this compelling story, and this amazing moral where we’re sitting right there with Chih – remembering that we have to think critically about the histories we learn.

I loved these stories and sincerely hope there are more.

[Book Review] The Body is Not an Apology by Sonya Renee Taylor

The Body is Not an Apology Cover Image

Title: The Body is Not an Apology
Author: Sonya Renee Taylor
Genre: nonfiction; self-love; self-help; workbook; feminism; social movements – social justice
Synopsis: [from Goodreads] Humans are a varied and divergent bunch with all manner of beliefs, morals, and bodies. Systems of oppression thrive off our inability to make peace with difference and injure the relationship we have with our own bodies.

The Body Is Not an Apology offers radical self-love as the balm to heal the wounds inflicted by these violent systems. World-renowned activist and poet Sonya Renee Taylor invites us to reconnect with the radical origins of our minds and bodies and celebrate our collective, enduring strength. As we awaken to our own indoctrinated body shame, we feel inspired to awaken others and to interrupt the systems that perpetuate body shame and oppression against all bodies. When we act from this truth on a global scale, we usher in the transformative opportunity of radical self-love, which is the opportunity for a more just, equitable, and compassionate world–for us all. 

Review: 5 Stars

This book was recommended to me by a friend of mine. It had never come up on my radar before, I’d never seen it on my timeline, heard quotes from it, or heard of the author, Sonya Renee Taylor before.

I’m so glad I have now. This book is one I will, as my friend did with me, recommend to everyone. It is worth your time, and your work.

This isn’t a body positivity book, but it does have aspects of that. This is a present day and historical account of straight up body terrorism and how we are all both steeped in it and accountable for it. Taylor walks us through a journey to self-awareness using the body. We all have one, and it makes the messaging digestible for all.

The endgame: radical self-love in the face of white supremacy, capitalism, and our own implicit bias.

[Review] the sun and her flowers by Rupi Kaur

Title: the sun and her flowers
Author: Rupi Kaur
Genre: poetry; feminism; nonfiction; adult; contemporary; romance; health; mental health; cultural; women’s literature
Syposis: (from Goodreads) A vibrant and transcendent journey about growth and healing. Ancestry and honoring one’s roots. Expatriation and rising up to find a home within yourself.

Divided into five chapters and illustrated by Kaur, the sun and her flowers is a journey of wilting, falling, rooting, rising, and blooming. A celebration of love in all its forms.

Review:

2 Stars
CW: sexual assault

Full disclosure. I have not read Milk & Honey. I do not regularly read poetry. (As in weekly, or even bi-weekly, or even on a consistent basis.) I do not buy poetry anthologies. I do not typically look out for poetry reads, but here I am, rating one?

What right do I have to rate one? Well, I’m using my same scale. For me, a two star book means that the I finished it, it was okay, but it’s not something I’m going to actively recommend to others or put in my classroom library. So yeah; it was alright. 

I think the problem for me was that there’s a lot of hype for Milk & Honey and then I went into this hoping to get something spectacular and wasn’t blown away. And I’ll admit that wasn’t fair of me to do. I know that out the gate. I also, even though I hate it, have this idea in my head that poetry should also BE something, you know? That it should always mean something profound and spectacular. That’s not to say there weren’t some really wonderful, even powerful poems, but it wasn’t something I find myself wanting to talk about after. 

There were so many poems in there that were just… like, words on a page to me. And like, maybe Kaur’s point is to revolutionize poetry, to like every-person it, and in that, I get some of it. But, it just didn’t fit my style of reading, and so I stand by my review, even though I rarely review poetry. Here are some of the specifics from the book I’d like to discuss:

There were two poems in particular; one about consent and one about sexual assault that stood out. So much of poetry, historically and even today is this lofty thing, but Kaur, in these two poems specifically makes her intention clear and precise. The one about assault, untitled, begins “at home at night / I filled the bathtub with scorching water / …I picked pine needles from my hair / … I wept / …I found bits of him on bits of me” (Kaur).

The way she breaks down the sexual assault is tragic, but is, in my opinion, intentionally simple. The speaker is reduced to the remains of the event. It’s powerful and heartbreaking. And at the end, the girl “prayed” (Kaur). Because like, what else can you do after something horrible like that happens to you? The emotional response I was left with, regardless of how “simple” the words on the page were was heavy. This was a weighted poem and I was left with all of the emotions and unrest of the theme.

The one about consent is called “how can I verbalize consent as an adult if I was never taught as a child” and illustrates this pretty intense scenario and asks that very difficult question of its readers with its title. 

The opening line is “no was a bad word in my home / no was met with the lash / erased from our vocabulary” (Kaur 1-3). The poem continues with the image of the speaker being sexually assaulted.  She then says, “I heard no pounding her fist on the roof of my mouth / begging me to let her out / But I had not put up the exit sign” (Kaur 12-15). This is another really strong message in an accessible way. It can start, or maybe continue, a conversation that needs to be had without a person having to dissect a difficult poem to figure out a way to do so.

Again, I was left with these really powerful emotions, feeling the weight of this poem in my heart and honestly, in my body after reading, really grappling with it. Her words do have power.

Not all of poems are about tough topics.  In fact, a lot of them aren’t. Some are about sunflowers and rainbows. Some are about self-acceptance and self-love. All of her poems are easily accessible. I think she has a really strong balance of putting the harder to swallow poems in between these easily, smaller ones.

Another that I really liked was about the heart. She writes, “what is stronger / than the human heart / which shatters over and over / and still lives” (Kaur). So simple, honest, but true.

And really, I think it’s the truth in Kaur’s poetry that got her the hype. She isn’t saying a lot of big things, new things, revolutionary things. She isn’t saything anything in a new way, it’s just stripped back, raw, and true.

At the end of the day, 2 stars overall. 


Galatea Book Review

Screen Shot 2019-10-26 at 2.31.45 PM.pngTitle: Galatea
Author: Madeline Miller
Genre: fantasy; mythology; short stories; retellings; historical fiction
Synopsis: (from Goodreads) In Ancient Greece, a skilled marble sculptor has been blessed by a goddess who has given his masterpiece – the most beautiful woman the town has ever seen – the gift of life. Now his wife, Galatea is expected to be obedience and humility personified, but it is not long before she learns to use her beauty as a form of manipulation. In a desperate bid by her obsessive husband to keep her under control, she is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost…

Review: 4 stars.

I think it’s safe to say at this point that I’d read anything Miller writes. She’s written two of my favorite books of all time — you can read my review of Song of Achilles HERE and my review of Circe HERE — and I’m a Classics nerd. While I didn’t jump on the Percy Jackson train, I can appreciate what it did for the genre. Miller takes a more sophisticated approach to myth retellings though, and it’s just brilliant.

Galatea is very different though. If I think of her work thus far on a continuum, in terms of her readership, it reminds me a lot of JK Rowling’s writing. Like, with Harry Potter and the Sorcerer’s Stone, that book was clearly YA, meant for children around Harry’s age, but by Harry Potter and The Order of the Phoenix, that YA line was very blurred. So much of what Harry was going through in (arguably) 4-7 were ADULT.

Galatea was much of the same. While Galatea is not connected to Song of Achilles or Circe, I think her writing style has evolved with each text. Song of Achilles seemed very YA, even if it isn’t marketed as such on Goodreads. It’s a quick read, lower lexile, all that, and it’s soft and sweet and kind.

And then with Circe, Miller’s writing is harder. And maybe that’s because Circe’s story is harder, but Circe’s feminist eye is open so it’s kind of reaffirming, and the Odyssey tale is so much more charged because of it. Guys. Circe was one of two books that made me change how I rate books. (Internment was the other in case you’re wondering.) That’s how beautiful I thought it was. But like, Miller’s style seemed to evolve in my opinion. A more adult audience required, sort of thing.

And then there’s Galatea (see this is definitely a Galatea review). This is definitely an adult short story. (Less than a 30 minute read for most readers, I’d say). This Pygmalion retelling is not beautiful and sweet or hard and reaffirming. This is tragic and difficult. Right out the jump there’s fuck and confusion, and a woman in a hospital being told to lie down, and a nurse who doesn’t seem to listen.

And later, Galatea tells the reader that if she doesn’t play the game (listen to the orders of her doctors) they’ll give her a tea that stops her tongue from working and makes her piss the bed.

This is not beautiful, but it is really, really good. It has something to say. At its core, almost, as a reminder. The Pygmalion myth is a good reminder about how men are rarely satisfied, and Galatea brings that right to the forefront in such a cutting way.

Again, I’m left breathless, waiting for her next text. Fingers crossed that it’s Medusa. Especially after some of the undertones here, I think it would be a perfect transition.

Moxie Review

Title: Moxie
Author: Jennifer Mathieu
Genre: contemporary; feminism; ya; realistic fiction
Synopsis: (from Goodreads) Moxie girls fight back!Vivian Carter is fed up. Fed up with her small-town Texas high school that thinks the football team can do no wrong. Fed up with sexist dress codes and hallway harassment. But most of all, Viv Carter is fed up with always following the rules.

Viv’s mom was a punk rock Riot Grrrl in the ’90s, so now Viv takes a page from her mother’s past and creates a feminist zine that she distributes anonymously to her classmates. She’s just blowing off steam, but other girls respond. Pretty soon Viv is forging friendships with other young women across the divides of cliques and popularity rankings, and she realizes that what she has started is nothing short of a girl revolution.

Review: 4 Stars. I read this book on the heels of Samira Ahmed’s Internment. (You can read that review HERE). To say Moxie was a departure from that would be a gross understatement. However, this book was fun and a delight to read. Vivian was a strong and caring and carried the book the whole way through. She was a three dimensional character and really well written by author, Mathieu. She was nerdy and unsure, but strong and caring when she saw others needed her to be so.

Inspired by her mother’s glory days, she creates a zine for her school to empower the girls to fight back against the patriarchal structures in place that hold them back.

What I like is that Mathieu brings up events that are relevant for all girls in all high schools. Dress codes, rape culture, inappropriate groping, lack of administrative support… these are all things girls face in countless high schools.

What’s more, these girls, through their collective coming together because of the zine get actual results. It’s really cool.

The boyfriend character is interesting. He keeps doing this “not all guys” thing and I think I get that he’s trying to learn, and Mathieu is trying to make a point, but his repetitive “I’m not those guys, I’m sensitive, look at me, I get it, you’re cool,” schtick didn’t really sit well with me. I’m wondering if she did this to point out how annoying it is, but the fact that Viv and he stay together in the end makes it all the worse. Like, sure, he’s trying, and sure, he’s quasi-supportive, but like… just because he’s the first guy that ever showed interest in her doesn’t mean she has to stay with him and teach him how to be “not all guys.”

I don’t think it was Vivian’s job to teach him how to be a decent guy. It’s not her job to teach him to shut up and just listen. It’s not her job to realize that girls who say the administration tried to cover up a rape or attempted rape aren’t lying.

/rant
Either way, this book was GOOD. Really good. That boyfriend piece is really just a small part of the plot and the rest of it is really female empowerment centered. The female friendships are strong and the driving force of Vivian’s kickstarting Moxie in the first place. The girls in this high school stand proud and tall together, even when they aren’t sure how to do so, and it’s really remarkable. This book is inspiring. And quick. It was fast paced, fun, well-written, and going in my classroom library.

Moxie girls fight back!

These Witches Don’t Burn Review

image1Title: These Witches Don’t Burn [1/?]
Author: Isabel Sterling
Genre: fantasy; ya; paranormal witches; own voices; LGBT
Synopsis: (from Goodreads) Hannah’s a witch, but not the kind you’re thinking of. She’s the real deal, an Elemental with the power to control fire, earth, water, and air. But even though she lives in Salem, Massachusetts, her magic is a secret she has to keep to herself. If she’s ever caught using it in front of a Reg (read: non-witch), she could lose it. For good. So, Hannah spends most of her time avoiding her ex-girlfriend (and fellow Elemental Witch) Veronica, hanging out with her best friend, and working at the Fly by Night Cauldron selling candles and crystals to tourists, goths, and local Wiccans.

But dealing with her ex is the least of Hannah’s concerns when a terrifying blood ritual interrupts the end-of-school-year bonfire. Evidence of dark magic begins to appear all over Salem, and Hannah’s sure it’s the work of a deadly Blood Witch. The issue is, her coven is less than convinced, forcing Hannah to team up with the last person she wants to see: Veronica.

While the pair attempt to smoke out the Blood Witch at a house party, Hannah meets Morgan, a cute new ballerina in town. But trying to date amid a supernatural crisis is easier said than done, and Hannah will have to test the limits of her power if she’s going to save her coven and get the girl, especially when the attacks on Salem’s witches become deadlier by the day.

Review: 5 Stars. When my book group, the Lit Coven, (find them HERE) decided to read this book, I was late to the party. I’d instituted a summer book buying ban and decided against reading anything I didn’t already own, but obviously I folded, (DUH) and bought this. It only took me reading the description before I was clicking BUY and devouring it upon its arrival.

Okay, so let’s start with setting. I’ve only been to Salem three times, but Sterling put me back there pretty much immediately. From the touristy areas where all the witch shops are, to where the more suburban houses are, it was New England through and through. She did a great job at setting the scene and using the historic undercurrent to highlight the very real threat for her main characters in 2019. I loved how this modern day clan of witches lives and breathes the history of what happened in 17th century Salem, and Sterling’s writing made that happen for me.

Another thing I quite enjoyed about this book are the very real and relatable characters in this book. Hannah is a solid main character. She’s, like many of the other MCs I tend to like, not perfect, but learning and growing. She relies on others, seeks truth, doesn’t just accept things as fact, and questions everything the adults tell her to believe. Go Hannah!

She trusts her judgment and believes in her friendship with Gemma, even when she knows it goes against everything she’s ever learned. She trusts her heart and her mind. But she’s a teenager, so she’s also learning how to come to terms with heartbreak, and relationships. She’s also a really strong example of an unapologetic and badass lesbian. I love Sterling’s writing of her character.

At one point, a side character,  Benton thinks he can persuade her to date him, and she’s like, um, “no dude, I’m gay.” The way Sterling injects the social commentary of turning girls straight here was so smooth and so easily done, just a quick conversation. Then it was done and handled, and then both Hannah and Benton move on, as friends.

Morgan is also badass. She’s bi, and so cool. Hannah assumes she’s a lesbian, there’s a clarifying convo in there about assumptions, and then they move on and it’s literally no problem. Another cool move by Sterling. Morgan is confident, calm, and perfect for Hannah— the complete opposite of Hannah’s ex, Veronica.

Veronica is the epitome of unhealthy relationship.

———-Okay, hold up————

Listen. I promise this book is about witches. But Sterling’s writing is SO GOOD we have to talk about how she writes these characters.

Okay, back to Veronica. So unhealthy. Manipulating. Wishy washy. She wants Hannah back, but only so Hannah doesn’t have someone else. Ugh. But so well written. Isabel Sterling. You are so so good at writing characters and character interactions. For real.

The plot itself is kind of like a mystery whodunit but with witches and a teenage love triange thrown in for good measure — if you’re into that sort of thing. As it’s in Salem, and it’s called These Witches Don’t Burn, there are some assumptions you can make, right? Someone wants to burn witches. So people are after Hannah – the witch. Despite, everything though, throughout the whole book, I wasn’t actively trying to figure out who it was that was trying to hunt witches. I’m usually pretty good at guessing who the bad guy is, but this time, it took me a bit to figure it out.

BUT
I REALLY LIKED that. I liked not knowing. I didn’t want to figure it out. I wanted to enjoy the story and the mystery. I was so wrapped up in the characters and the drama of the romance and the family / clan dynamic that I didn’t guess who the witch hunter(s) was/were until the end.

These Witches Don’t Burn was amazing. I am putting it in my classroom with a big huge 5 Stars on it so my kids know it was an amazing read.

 

I Thought it was Just Me Review

51Nu-VjkudLTitle: I Thought it was Just Me (but it isn’t): Making the Journey from “What Will People Think?” to “I Am Enough.”
Author: Brene Brown
Genre: nonfiction; self-help; psychology; feminism;
Synopsis: (from Goodreads) Shame manifests itself in many ways. Addiction, perfectionism, fear and blame are just a few of the outward signs that Dr. Brené Brown discovered in her 6-year study of shame’s effects on women. While shame is generally thought of as an emotion sequestered in the shadows of our psyches, I Thought It Was Just Me demonstrates the ways in which it is actually present in the most mundane and visible aspects of our lives—from our mental and physical health and body image to our relationships with our partners, our kids, our friends, our money, and our work.

After talking to hundreds of women and therapists, Dr. Brown is able to illuminate the myriad shaming influences that dominate our culture and explain why we are all vulnerable to shame. We live in a culture that tells us we must reject our bodies, reject our authentic stories, and ultimately reject our true selves in order to fit in and be accepted.

Outlining an empowering new approach that dispels judgment and awakens us to the genuine acceptance of ourselves and others, I Thought It Was Just Me begins a crucial new dialogue of hope. Through potent personal narratives and examples from real women, Brown identifies and explains four key elements that allow women to transform their shame into courage, compassion and connection. Shame is a dark and sad place in which to live a life, keeping us from connecting fully to our loved ones and being the women we were meant to be. But learning how to understand shame’s influence and move through it toward full acceptance of ourselves and others takes away much of shame’s power to harm.

It’s not just you, you’re not alone, and if you fight the daily battle of feeling like you are—somehow—just not “enough,” you owe it to yourself to read this book and discover your infinite possibilities as a human being.

Review: In 2016, I found a TEDtalk about being vulnerable by Brene Brown and I used it in my classroom for a PBL Project on character development. In it, she says, “Courage is to tell the story of who you are with your whole heart.” And it’s something I’ve never forgotten. But I thought that Brene Brown was just a researcher who did that one totally transformative TEDtalk and then disappeared back into her research lab.

I use that talk with my classes and I use that quote daily. It’s the header on my class website, it’s how I try to go into the world, it’s how I try to teach.

Then I had an extra Audible credit and needed to use it. (I don’t really use Audible as much as I should, FYI, there are so so so many good choices out there right now.) And then a familiar name popped up Brene Brown. I clicked purchase and started listening.

It’s almost 11 hours of content was just as transformative as her TEDtalk. She talks about guilt and shame and how they’re different. But most importantly, she does this for women. How these things apply specifically for and to women. In the work place, in the home, in relationships (all kinds of relationships too, sisters, mothers, husbands).

She provides readers with terms and definitions, with scenarios, and with questions you can ask yourself and journaling prompts so you can go through things at your own pace.

I bought the physical book too. I wanted to go deeper into some of the things she talked about with my therapist. Some of the things she talked about hit different for me. Like, they made me think about my own situation differently and I wanted to take specific passages into sessions so that we could work through them.

This book really is titled perfectly.

Everyone thinks they’re alone in shame.

They aren’t.