[Book Review] Priest

Book Cover of PRIEST

Title: Priest
Author: Sierra Simone
Genre: contemporary romance; erotica; new adult
Synopsis: (from Goodreads) There are many rules a priest can’t break. 
A priest cannot marry. A priest cannot abandon his flock. A priest cannot forsake his God.

I’ve always been good at following rules. 
Until she came. 
My name is Tyler Anselm Bell. I’m twenty-nine years old. Six months ago, I broke my vow of celibacy on the altar of my own church, and God help me, I would do it again. 
I am a priest and this is my confession.

***Priest is a standalone, full-length novel with an HEA.  For mature audiences only.***

Review: 3/5 stars

** spoiler alert ** 

It was okay. I picked it up because it was (over)hyped on Twitter. I don’t regret it, necessarily, but it was just okay.

The storytelling and character development didn’t do it for me. There’s a small town parish, and then we meet the MCs and then the sex begins. And then there’s backstory. And then the drama. And then it ends with a sexy HEA. Idk. It fell into the smut too quickly (gasp) and it didn’t build up to any real conflict or character development to make it mean something.

But it seemingly TRIED to. So it wasn’t just smut for smuts sake.

Tyler’s character was very impulsive and for someone who had this higher calling, he was very “act first, beg forgiveness second” — like that was how it worked. Maybe it does? Idk. It didn’t do it for me. He’s so relatable and so hot and so manly and so godly. If he’s all these things he’s none of these things, and it’s proven false immediately.

Poppy had so much potential. She could have been this amazing character but instead she is just kind of meh. We’re told she is Ivy League. We’re told she did charity work. We’re told she did CPA work. We’re told she likes good sex. She doesn’t ever really grow as a character and she doesn’t ever unfold as a character. She just is. And then martyrs herself (sort of) for a man. BS.

I liked Millie. She was cool.

[Book Review] The Best We Could Do

Book Cover for THE BEST WE COULD DO

Title: The Best We Could Do
Author: Thi Bui
Genre: graphic novel; autobiography; memoir; history; oral history
Synopsis: (from Goodreads) The Best We Could Do, the debut graphic novel memoir by Thi Bui, is an intimate look at one family’s journey from their war-torn home in Vietnam to their new lives in America. Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family’s daring escape after the fall of South Vietnam in the 1970s and the difficulties they faced building new lives for themselves. At the heart of Bui’s story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent — the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through.

With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home. The Best We Could Do brings to life her journey of understanding and provides inspiration to all who search for a better future while longing for a simpler past.

Review: 4/5 stars

Bui’s graphic novel is “one that will break your heart and heal it.” I went into this book not quite sure what to expect, but I was blown away by the art, the style, and the story. Bui does not pull any punches. Her first chapter is called “Labor” and she details out the process and immediately creates these strong familial bonds in her writing and art. Each panel expresses so much, and because she uses just one color to accent – it fills each page with intensity and clarity.

This book reads more like a love letter to the self and to family than it does anything else, in my opinion. She, upon having her first child, realizes that she has created something monumental. This act then allows her to process, or go through the process, of memory work. By looking back on her own memories, and asking her parents about those, it’s almost as if she’s trying to figure out a way to forgive so that she can be whole for her son.

I loved enjoying this book for many reasons, but one of the major ones was that she sought to listen for understanding when recording her parents’ stories. Her experience growing up was vastly different than theirs, but she, in listening, learned why her parents made the choices they made, and acted as they did. It’s not written in a way that excuses anything, it just is. And that’s beautiful.

[Book Review] Stamped: Racism, Antiracism, and You

Book Cover for Stamped: Racism, Antiracism, and You

Title: Stamped: Racism, Antiracism, and You
Author: Jason Reynolds & Ibram X. Kendi
Genre: nonfiction; history; race; social justice; YA
Synopsis: (from Goodreads) A remix of the National Book Award-winning Stamped from the Beginning for ages 12 and up.

A timely, crucial, and empowering exploration of racism–and antiracism–in America.

This is NOT a history book.
This is a book about the here and now.
A book to help us better understand why we are where we are.
A book about race.

The construct of race has always been used to gain and keep power, to create dynamics that separate and silence. This is a remarkable reimagining of Dr. Ibram X. Kendi’s Stamped from the Beginning, winner of a National Book Award. It reveals the history of racist ideas in America and inspires hope for an antiracist future.

Stamped takes you on a race journey from then to now, shows you why we feel how we feel, and why the poison of racism lingers. It also proves that while racist ideas have always been easy to fabricate and distribute, they can also be discredited.

Through a gripping, fast-paced, and energizing narrative, Jason Reynolds shines a light on the many insidious forms of racist ideas–and on ways readers can identify and stamp out racist thoughts in their daily lives.

Review: 5/5 stars

There’s an old adage that says something like “If we don’t learn our history we are doomed to repeat it” or something similar. While reading this book on my own and with students, I found myself thinking about that over and over again, because this “not history book” taught me so much about the intentional cyclical nature of American racism. While times have seemingly changed, policies and practices written and built against people of color have not – they’ve adapted and gotten more slick.

This book is so digestible and so full of content that I thought I knew about it. I consider myself a pretty well-informed person, and while I knew quite a bit about some of the current policies in place, but I didn’t really comprehend the larger implications of the historical precedents set up from the foundations of this country. The way Reynolds breaks down such difficult and troubling concepts so that anyone can understand them is brilliant.

When you read this, there’s a charge at the end – what will you do now that you know what you know? For me, that question is so crucial to what the book is all about. You’ve learned the history, now how are you going to make a change for the present, and your future? For me, it’s to pass this book on to as many people as I can, talk to them about it as they read, and to continue to engage in those tough discussions.

[Book Review] Drama Queen

Book Cover of “Drama Queen” by Jill Westwood

Title: Drama Queen (Nasty Woman #3) read as a standalone
Author: Jill Westwoord
Genre: Contemporary romance; Humor;
Synopsis: (from Goodreads) Catriona McBryde laughs too loudly, has never met a stranger, and enjoys making men blush.

With her unrestrained behavior—which includes rolling in the hay with many of the single men in her town—Cat might not seem like the ideal tour guide for British actress Dame Violet Ramsey, but no one knows Foster’s Creek better than she does.

When Violet’s sexy bodyguard Kiran Madan doubts Cat’s ability to be discrete and trustworthy, she sets to charming the pants off of him, but he proves to be the type of guy she hasn’t encountered recently.

It’s not only her body he desires. Kiran wants Cat’s heart.

* plus-sized heroine
* small town romance
* sisterhood / female friendships
* brooding bodyguard
* Halloween hijinks

Review: 3/5 stars

I enjoyed this book a lot! If you’re looking for a speaks her mind, gets what she wants, plus sized romantic heroine— Catriona is for you. And honestly, who wouldn’t want to live her story here? Her favorite actress comes to her small town and asks her to be her tour guide.

Yes please.

And she comes with a hot body guard?

X 2 yes please.

Kiran Madan is a good opposite lead to Catriona. Where Catriona says everything she’s thinking, Kiran is reserved. A real stuffed shirt at first. Cat is more of a Lorelei Gilmore in Star’s Hollow, witty, funny, and able to keep up with whatever the occasion calls for. Kiran is completely out of his element and worried about everything.

The lead actress character, Violet, is fun. She’s proper British, but also has an unexpected wild streak. Kiran has his hands full and Cat helps keep him company while hilarious antics ensue.

One thing I didn’t really get was the lack of secondary character development. Some relationships just disappeared. Or didn’t get any resolution. Cat has this major animosity for her best friend’s husband that she brings up constantly, but there is no big blow out, no coming together, no nothing. They just don’t solve anything. Both of Cat’s sisters make love connections, but you never hear about either after the plot point passes. So too with her cousin. Once his purpose has passed, we never hear anything more. I’d like more development in this.

The side characters build the main character’s personality for me and make the world more real, and when there’s not any real reasonable resolution or mention for so many characters, it’s a big thing I think about.

Overall, I liked it, and I like seeing plus size girls getting HEAs!

I received an advanced review copy of this book for free, and I am leaving this review voluntarily.

[Book Review] The Body is Not an Apology by Sonya Renee Taylor

The Body is Not an Apology Cover Image

Title: The Body is Not an Apology
Author: Sonya Renee Taylor
Genre: nonfiction; self-love; self-help; workbook; feminism; social movements – social justice
Synopsis: [from Goodreads] Humans are a varied and divergent bunch with all manner of beliefs, morals, and bodies. Systems of oppression thrive off our inability to make peace with difference and injure the relationship we have with our own bodies.

The Body Is Not an Apology offers radical self-love as the balm to heal the wounds inflicted by these violent systems. World-renowned activist and poet Sonya Renee Taylor invites us to reconnect with the radical origins of our minds and bodies and celebrate our collective, enduring strength. As we awaken to our own indoctrinated body shame, we feel inspired to awaken others and to interrupt the systems that perpetuate body shame and oppression against all bodies. When we act from this truth on a global scale, we usher in the transformative opportunity of radical self-love, which is the opportunity for a more just, equitable, and compassionate world–for us all. 

Review: 5 Stars

This book was recommended to me by a friend of mine. It had never come up on my radar before, I’d never seen it on my timeline, heard quotes from it, or heard of the author, Sonya Renee Taylor before.

I’m so glad I have now. This book is one I will, as my friend did with me, recommend to everyone. It is worth your time, and your work.

This isn’t a body positivity book, but it does have aspects of that. This is a present day and historical account of straight up body terrorism and how we are all both steeped in it and accountable for it. Taylor walks us through a journey to self-awareness using the body. We all have one, and it makes the messaging digestible for all.

The endgame: radical self-love in the face of white supremacy, capitalism, and our own implicit bias.

[Book Review] I Can Make This Promise by Christine Day

I Can Make You this Promise Cover Image

Title: I Can Make this Promise
Author: Christine Day
Genre: MG; realistic fiction; contemporary fiction; family adoption
Synopsis: [from Goodreads] All her life, Edie has known that her mom was adopted by a white couple. So, no matter how curious she might be about her Native American heritage, Edie is sure her family doesn’t have any answers.

Until the day when she and her friends discover a box hidden in the attic—a box full of letters signed “Love, Edith,” and photos of a woman who looks just like her.

Suddenly, Edie has a flurry of new questions about this woman who shares her name. Could she belong to the Native family that Edie never knew about? But if her mom and dad have kept this secret from her all her life, how can she trust them to tell her the truth now? 

Review: 4 Stars

This was a really sweet book about family and friendship and determining who you are and what shapes you. Edie is a great middle grade lead and has a really wonderful narrative presence.

The relationships she has with Amelia and Serenity are authentic and honest. They reflect just how it feels to be a preteen / teenager growing up and learning what it means to be a true friend to someone else.

Her family dynamic is lovely. The whole story revolves around her family’s past and her heritage and why it’s a secret for her and as she uncovers the truth, how she and her family come to grips with it is truly wonderful.

I definitely recommend this book to anyone looking for a quick, but great read.

[Review] Save the Date

image0Title: Save the Date
Author: Morgan Matson
Genre: contemporary; ya; romance; realistic fiction; family
Synopsis: (from Goodreads) Charlie Grant’s older sister is getting married this weekend at their family home, and Charlie can’t wait for the first time in years, all four of her older siblings will be under one roof. Charlie is desperate for one last perfect weekend, before the house is sold and everything changes. The house will be filled with jokes and games and laughs again. Making decisions about things like what college to attend and reuniting with longstanding crush Jesse Foster all that can wait. She wants to focus on making the weekend perfect.

The only problem? The weekend is shaping up to be an absolute disaster. There’s the unexpected dog with a penchant for howling, house alarm that won’t stop going off, and a papergirl with a grudge.

There are the relatives who aren’t speaking, the (awful) girl her favorite brother brought home unannounced, and a missing tuxedo. Not to mention the neighbor who seems to be bent on sabotage and a storm that is bent on drenching everything. The justice of the peace is missing. The band will only play covers. The guests are all crazy. And the wedding planner’s nephew is unexpectedly, distractedly cute.

Over the course of three ridiculously chaotic days, Charlie will learn more than she ever expected about the family she thought she knew by heart. And she’ll realize that sometimes, trying to keep everything like it was in the past means missing out on the future.

Review: 3 stars

I had a hard time with this rating. I waffled between a 2 and a 3 star. It wasn’t that this story was bad, but it wasn’t my favorite read either, and there were points where I wanted to DNF it.

So. The not so good:
Charlie as a narrator is annoying and narrow sighted. I guess that comes with being a teenager (I feel like a broken record saying this) but I was so fed up with reading her perspective. I have read so many books with teenager narrators and can read page after page without being 1. Bored to tears 2. Rolling my eyes or 3. Mad as hell. But Charlie was infuriating. She wanted everything to be just so, and if it didn’t fit her perfect vision, she didn’t handle it well.
I think it frustrated me the most because people try to warn her but she doesn’t listen. I hate obstinate narrators. Like, you don’t have to be perfect, but dang girl, give the people around you a break when they aren’t either.
The good:
I laughed out loud at some of Morgan Matson’s clever writing. She had some really sweet family moments and some really funny family dynamic moments that hit. Very well written. The GMA interview in particular made me actually laugh… like, legit out loud, so I think that’s saying something.
When Charlie does eventually learn her lesson (it’s not a spoiler, every protagonist learns SOMETHING), that’s where I felt like i could get behind her character a little.  Matson writes, “but now, in this moment, she no longer seemed Perfect, the one who knew everything, the one who was always right. Because he wasn’t. He was in the wrong with Brooke —and what’s more, I could see it and he couldn’t. It was the latest revelation in a night that had been chock-full of them. But it felt like it had tilted the world on its axis a little. Because who was Danny if he wasn’t my big brother, the one who could fix anything and do everything? Who was I if I wasn’t looking to him for answers?
“As I drove on in silence, my headlights cutting through the darkness, I realize that maybe it meant we could be closer to equals. Maybe I could actually find out who he was, now that I wasn’t blinded by the vision of him that I had been holding onto you, the one left over from when I was six and he was the best person in the world” (372).
Like, Charlie felt so inauthentic and obnoxious to me before this, and then this scene, it felt like I’d lived that scene myself with a few people. Where you suddenly see them in a real and honest light and your opinion of them shifts (for good or ill) and you can’t go back to seeing them any other way.
I also really enjoyed the Bill plotline. Bill wasn’t pushy or invasive. He did his job as a character. Nice, Billiam.
The alright:
The minor characters add depth. The “what can go wrong, does” aspect of Linnie’s wedding is so outrageous it almost stops being funny. Everyone knows a Jesse. Mike is a real one. They should have let DJJJ handle wedding music.
Overall, I went with 3/5 instead of 2/5 because Charlie figures it out in the end. And because it made me laugh. And because I didn’t DNF it after all. And because of Waffles.

 

Red, White & Royal Blue Review

41150487._SY475_Title: Red, White & Royal Blue
Author: Casey McQuiston
Genre: romance; contemporary; LGBT; new adult; fiction
Synopsis: (from Goodreads): What happens when America’s First Son falls in love with the Prince of Wales?

When his mother became President, Alex Claremont-Diaz was promptly cast as the American equivalent of a young royal. Handsome, charismatic, genius—his image is pure millennial-marketing gold for the White House. There’s only one problem: Alex has a beef with the actual prince, Henry, across the pond. And when the tabloids get hold of a photo involving an Alex-Henry altercation, U.S./British relations take a turn for the worse.

Heads of family, state, and other handlers devise a plan for damage control: staging a truce between the two rivals. What at first begins as a fake, Instragramable friendship grows deeper, and more dangerous, than either Alex or Henry could have imagined. Soon Alex finds himself hurtling into a secret romance with a surprisingly unstuffy Henry that could derail the campaign and upend two nations and begs the question: Can love save the world after all? Where do we find the courage, and the power, to be the people we are meant to be? And how can we learn to let our true colors shine through?

Casey McQuiston’s Red, White & Royal Blue proves: true love isn’t always diplomatic.

Review: 4 Stars

Casey McQuiston’s 2019 romance was as funny as it was tender. It was sweet and kind but also witty and full of banter and sexy flirting from the millennial characters McQuiston created. It was so well done too. All of the millennial / gen z generation characters felt fully dimensional. In fact, the characters that fell flat for me were the older generation. The ones I didn’t really care about, even if they were the ones apparently leading the nation. *shrug*

Alex and Henry had me from Cakegate. Their energy was electric. From the moment Henry called Alex out and was like, “you’re the one always coming to seek me out, Alex,” I was hooked on them.

When McQuiston wrote in the banter from the people following them on internet, the newspaper, Twitter, on Buzzfeed, etc. I felt like it literally could have been me. Particularly the “OMG just make out already” comments after their first television filming.

But it’s not just about their snark and witty repartee. It’s also about their tender moments and their private email exchanges. I loved how they sent excerpts from actual letters in history. I loved how that began with Hamilton and John Laurens. It was a fun, and particularly pop culturally relevant way to start their love story.

The author was, in my opinion, particularly brilliant with how she allowed their love story to unfold. The clandestine meetings, their secret texts, their private emails, their innuendos, and the help of the seven people they trust. It just works. It helps build the suspense but also brings with it this reminder that it has to end. Logically, as a reader, I knew somehow they would get exposed, and from some of the repeated phrases, I guessed (SEE! I CAN GUESS THE ENDINGS!!! TAKE THAT LAST TWO BOOKS) correctly. It was a really volatile coming out for both of them and it felt like a real invasion of their privacy, but I really like how they all handled it.

I don’t have any experience with this, so I can’t speak to whether McQuiston handled this with grace and empathy, but I thought Alex and Henry were strong and brave AF. They stood up to the MF Queen of England for Christ’s sake.

The LGBT representation in this book was awesome. Nora and Alex pulling it out for the bi team, Amy for the trans community, Henry and Raf for the gay community, Cash for the pan community, and then all the other characters as strong allies. (I don’t think I missed anyone, but I’m writing this review without the book to skim through, so if I am, please comment below).

Getting back to the older generation for a second, they all seemed so flat. The only one that really gave me anything was Alex’s dad. When they were in Texas for their weekend away from the world, I really loved how the father just accepts Alex. He even teases him and calls himself the patron saint of genderless bathrooms in California I think.

But they have a good conversation about how it’s different when it’s your own kid, which I think is a good distinction to have. Oscar (dad) says it isn’t any different for him, and Alex is his kid and he loves him just the same— but it really is for some parents. I’ve heard parents say that they’re okay with it as long as it isn’t THEIR kid. (Gross, btw)

So for Oscar and Alex to have this conversation, it’s pretty cool.

POTUS has a moment of humanity when she kicked her staff out and asked if Alex was okay, but other than that, she was just a politician, through and through.

I think in general, the book is one written in response to what happened in the last election. It’s a HEA, and it’s FICTION, so it’s not this super realistic account of what could happen tomorrow. This was one of the concerns I read about when I got the book— “it’s too unrealistic, it would never happen” — in my opinion, that’s why it’s uh, FICTION? And that’s also why I like it. It’s the dream election for 2019, that’s what makes it good.

The POTUS is also a Democrat, so the politics mentioned in the book, naturally, swing left too, but that didn’t bother me either. I figured that would be the case so I didn’t get caught off guard by it.

Another criticism I read was about how Henry hates the monarchy while still benefitting from it. I lol’d at that. Henry’s character literally struggles with being part of an empire built on genocide and war the whole book, going so far as to never spend any of that money. I liked his character development. I don’t really understand the criticism I guess. *shrug*

Overall, this book is driven by more than just Henry and Alex. It’s also Nora and June and Pez and Amy and Cash and Bea and supported by the POTUS and a double agent (triple agent?) and a senator and two protective agents who care deeply, even if they pretend they don’t.

It was an idealistic HEA and I loved it. Pick it up today.

Moxie Review

Title: Moxie
Author: Jennifer Mathieu
Genre: contemporary; feminism; ya; realistic fiction
Synopsis: (from Goodreads) Moxie girls fight back!Vivian Carter is fed up. Fed up with her small-town Texas high school that thinks the football team can do no wrong. Fed up with sexist dress codes and hallway harassment. But most of all, Viv Carter is fed up with always following the rules.

Viv’s mom was a punk rock Riot Grrrl in the ’90s, so now Viv takes a page from her mother’s past and creates a feminist zine that she distributes anonymously to her classmates. She’s just blowing off steam, but other girls respond. Pretty soon Viv is forging friendships with other young women across the divides of cliques and popularity rankings, and she realizes that what she has started is nothing short of a girl revolution.

Review: 4 Stars. I read this book on the heels of Samira Ahmed’s Internment. (You can read that review HERE). To say Moxie was a departure from that would be a gross understatement. However, this book was fun and a delight to read. Vivian was a strong and caring and carried the book the whole way through. She was a three dimensional character and really well written by author, Mathieu. She was nerdy and unsure, but strong and caring when she saw others needed her to be so.

Inspired by her mother’s glory days, she creates a zine for her school to empower the girls to fight back against the patriarchal structures in place that hold them back.

What I like is that Mathieu brings up events that are relevant for all girls in all high schools. Dress codes, rape culture, inappropriate groping, lack of administrative support… these are all things girls face in countless high schools.

What’s more, these girls, through their collective coming together because of the zine get actual results. It’s really cool.

The boyfriend character is interesting. He keeps doing this “not all guys” thing and I think I get that he’s trying to learn, and Mathieu is trying to make a point, but his repetitive “I’m not those guys, I’m sensitive, look at me, I get it, you’re cool,” schtick didn’t really sit well with me. I’m wondering if she did this to point out how annoying it is, but the fact that Viv and he stay together in the end makes it all the worse. Like, sure, he’s trying, and sure, he’s quasi-supportive, but like… just because he’s the first guy that ever showed interest in her doesn’t mean she has to stay with him and teach him how to be “not all guys.”

I don’t think it was Vivian’s job to teach him how to be a decent guy. It’s not her job to teach him to shut up and just listen. It’s not her job to realize that girls who say the administration tried to cover up a rape or attempted rape aren’t lying.

/rant
Either way, this book was GOOD. Really good. That boyfriend piece is really just a small part of the plot and the rest of it is really female empowerment centered. The female friendships are strong and the driving force of Vivian’s kickstarting Moxie in the first place. The girls in this high school stand proud and tall together, even when they aren’t sure how to do so, and it’s really remarkable. This book is inspiring. And quick. It was fast paced, fun, well-written, and going in my classroom library.

Moxie girls fight back!

Internment Review

image1Title: Internment
Author: Samira Ahmed
Genre: contemporary; ya; science fiction; dystopian
Synopsis: Rebellions are built on hope.
Set in a horrifying near-future United States, seventeen-year-old Layla Amin and her parents are forced into an internment camp for Muslim American citizens.
With the help of newly made friends also trapped within the internment camp, her boyfriend on the outside, and an unexpected alliance, Layla begins a journey to fight for freedom, leading a revolution against the internment camp’s Director and his guards.
Heart-racing and emotional, Internment challenges readers to fight complicit silence that exists in our society today.

Review: 5 Stars. Internment was exactly as described. Chilling. It was haunting and hard to read, and yet, I couldn’t put it down. I was transfixed by Layla’s horrible reality in our too-close future. Ahmed writes that it’s fifteen minutes into the future of America and it did indeed feel that way.

My heart was in my throat as I turned each page, hoping for a decent ending for the people in Mobius. Not a happy ending, because there could be no happy ending for this book, I knew that for certain.

This book was HARD. I hated every single thing this book made me witness. Every single horror I had to be complicit in, almost. You know? Like… it made me think about what I would do after the 2020 census, if things played out like they did in the book. It makes me wonder if I’m doing enough now. People are literally in cages at the border right now.

Samira Ahmed wrote this book in response to the 2018 refugees being taken from their children (see Author’s Note). Layla and her family were in a liberal town, in a liberal state, and her neighbors, her friends, they just let them get captured and taken and stamped with a permanent barcode, and put in an internment camp.

Where there are unspeakable horrors and atrocities, there is Hope. Layla and the people of Mobius do the unthinkable in the face of the unknown, because the fear helps them focus on the end goal. Her bravery and her endless faith was inspirational.

This is the type of book that makes you think about what side of history you need to be on. It reminded me of The Hate U Give (see my review for that one HERE), of Night by Elie Wiesel.

It was painful and hard, but necessary to read it. It wasn’t my usual book, but I needed to read it, especially right now. Ahmed’s use of timely political rhetoric, unfortunate and unpresidential rhetoric, and current events makes this book a must read in this day and age.

The Author’s Note is something I want to make copies of and read with all of my classes. Often I tell my classes that if we don’t read our history, we are doomed to repeat it. Ahmed writes that we look back to our history to use its rhetoric for instances like this.

As hard, horrifying, and raw as Internment was to read… it was worth it. I would recommend this book to everyone.